Irish American Writers & Artists

July 27, 2016

7-19 IAW&A Salon: A Spirited Evening with Italian American Writers Association

Filed under: Uncategorized — by scripts2013 @ 6:25 pm
by Mary Lannon
Photos by Christoper Booth

In a spirited night with much joking and much seriousness, writers and singers celebrated the common and uncommon ground of the Italian and Irish American experience as the Irish American Writers and Artists Salon welcomed Italian Americans Writers at the cell on Tuesday July 19th.

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Paul Moses

The event was inspired by the recent publication of Paul Moses’s book An Unlikely Union: The Love-Hate Story of New York’s Irish and Italians, according to event organizer and gracious emcee Kathleen Walsh D’Arcy. Moses read an excerpt featuring radical labor organizers and lovers Elizabeth Gurley Flynn and Carlo Tresca who met during the 1912 Bread and Roses Strike in Lawrence, Massachussetts. Despite their unconventionality, Moses recounted, the cultural differences in that era between the Irish and Italians ultimately divided them.
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Curator and host Kathleen Walsh D’Arcy

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Peter Quinn

Peter Quinn, a founder and former president of Irish American Writers and Artists, provided a gracious and funny introduction for Moses.  In the spirit of the evening, he gave a bit of history of the divide between Irish and Italians. Then to great laughter, he jokingly explained the cultural differences by imagining an Italian Joseph and an Irish Mary producing a Hispanic Jesus, noting, for one that Joseph could not have gotten into the carpenter’s union unless Mary was Irish. Quinn, a celebrated journalist and political historian, is the author of Banished Children of Eve, Hour of the Cat, Looking for Jimmy, and The Man Who Never Returned.

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Alisa Rose

The evening began appropriately with Alisa Rose who has a background in opera but now is engaged in Irish Studies. First, she sang, “Turna A’ Surriento,” a traditional Neapolitan song composed in 1902 by the Italian musician Ernesto De Curtis with words written by his brother, the poet and painter Giambattista De Curtis.  Then Rose sang “McNally’s Row of Flats,” an Ed Harrigan song from his comedy McSorley’s Inflation as revived by Mick Moloney.  To help Rose fund her album, see gofundme.com/AlisaRoseCompelled and to see her event schedule go to alisarosemusic.com/the-schedule

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Elizabeth Primamore

 Next up, Elizabeth Primamore read the prologue of her play in-progress called, Nevarca (Newark, New Jersey), which sketches the emotional and psychological edges of three generations of an Italian American family.  Primamore’s work has been published in the anthologies Literature and Gender and New America. She studied at HB studio and her full-length play, Undone, received readings at The Flea, The Cherry Lane, and Ensemble Studio Theatre.

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Maria Lisella

Co-Curator of the Italian American Writers Association and Queens Poet Laureate, Maria Lisella, read poems about leaving home and living in a new country.  Lisella’s most recent book is Two Naked Feet.  She has been nominated for a Pushcart Prize and won the Allen Ginsburg Poetry Award among other honors.

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Malachy arrives for a rare appearance at the Cell

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For the first time, an IAW&A Salon break included cookies

The second half of the evening also began with song.  Mary Deady, a celebrated singer, keeping with the evening’s theme, talked about the song in the Christmas scene in the immigrant coming-of-age movie Brooklyn.  Then she sang a song in the same vein, ‘An Clár Bog Déil,’ – The Soft Deal Board,” a Munster love song written in the early 19th century and attributed to an Augustinian friar, presumably before he took the habit!  Deady’s second song, “Good Night, New York,” written by Judy Gold, is about immigration, the journey and finding courage.  Deady was a lead soprano in the National Folk Theater of Ireland, touring extensively throughout Europe, the U.S. and Canada.  More recently she performed with Jeff Cubeta at The Laurie Beechman Theater in their show, My Love is a Wanderer—A Fictional Memoir in Song.

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Mary Deady

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Rosette Capotorto

 Rosette Capotorto, a Bronx native, read poems from Bronx Italian, including “The Mother of a Priest.” Her fiction and poetry have been published in many anthologies including Are Italians White and The Milk of Almonds.

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John Liam Shea

Another Bronx native John Shea read a ghost story that included the ghost of a very disappointed Irish mother.  Shea’s novel, Cut and Run in the Bronx, published in 2012 by Dublin’s 7Towers Press, met with critical and commercial success.

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Tim Ledwith

Staten Island was also in the house in the person of Tim Ledwith, a writer and editor, who was raised in an Irish-American family in a mostly Italian-American neighborhood on Staten Island.  Ledwith delighted the crowd with an excerpt from his memoir featuring the Verrazano-Narrows Bridge construction’s impact on his Irish American family.

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Maureen Hossbacher

The versatile Maureen Hossbacher shared three poems, including “Lesser Known Saints”, which will appear in the next Paterson Literary Review.  Another, entitled “Artists,” appealed to other poets in the room, Maria Lisella and Margaret McCarthy, who acknowledged some essential attributes of artists:  “the insight / the eye / the ear / the tongue / a steady hand / but mainly the gall.”

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Malachy McCourt

The inimitable Malachy McCourt who founded the IAWA Salon, ended the evening recounting tales of the “Italian influence” in his hometown of Limerick to the delight of the crowd. He included one story of how a Limerick local got invited to a box seat at an Italian opera in Dublin. McCourt then sang, “There is an Isle” to end a lovely evening.

Join us for a mixture of presenters new and familiar at our next IAW&A Salon at Bar Thalia (95th & Broadway) at 7 pm.

More fun with photos by Christopher Booth: fun1

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July 13, 2016

7.7.16 IAW&A Salon: Our Tribute to Alphie McCourt’s “instant humanity”

Filed under: Uncategorized — by kdaly321 @ 2:19 am

What a night! Loud, soft, moving, funny and memorable! –Tom Mahon

By Karen Daly
Photos by Cat Dwyer

IAW&A’s July Salon at Bar Thalia featured a tribute to writer, memoirist and much loved member Alphie McCourt, who died this week. Salon producer John Kearns organized readings of Alphie’s poems and stories, mainly from his book The Soulswimmer,  A Collection of Stories, Verses and Songs.

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Guenevere Donohue

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Michele Fulves

Guenevere Donohue and Michele Fulves gave sensitive readings of Alphie’s poems, and Mark Butler and Mark Donnelly, his wry and funny true stories. Mark Butler captured the feeling of many IAW&A folks, when he described first meeting Alphie and feeling the man’s “instant humanity.”markd

Mark Donnelly

Treat yourself to more Soulswimmer.

https://www.amazon.com/Soulswimmer-Collection-Stories-VersesSongs/dp/0692279385/ref=sr_1_1?s=books&ie=UTF8&qid=1468070335&sr=1-1&keywords=the+soulswimmer

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Mark Butler

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Vivian O’Shaughnessy

In addition to Alphie’s work, Salon goers enjoyed the work of two poets, two singers in the Irish tradition, and two novelists. The many-talented Vivian O’Shaughnessy, visual artist, translator, poet, read “Stone Garden” which she translated, hand brailled and created an audio/music book edition for Perkin’s International School for the Blind. Andre Archimbaud, continued the elegiac mood in his Salon debut, with “Last Breath” written in the wake of Maya Angelou’s passing and “God’s Last Gasp” about the last known recording of John Coltrane.

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Andre Archimbaud

The night’s host John Kearns has been covering the major sins in his generational novel in progress, Worlds. Tonight he gave us sloth, in the character of Janey Logan. After getting her kids off to school one dull morning, she listlessly lies around the house, thinking about how apathetic her married life has become. Finding proof that her husband has cheated, she can’t work up the energy to confront him.

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John Kearns

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Tom Mahon

Tom Mahon kicked up the mood with funny excerpt from a from his young adult novel, The Incredible Heroics of Timothy Egan. We watch Tom’s character, a kid in Bayonne, NJ, grow up from kindergarten, where he meets more kids than he knew existed. Learning about “pagan babies,” he becomes the best Pagan Baby Saver of St. Andrews School.  When he tires of them, he takes up stickball, baseball and girls. He likes one girl so much he can’t describe what’s happening, except being with her makes him feel like he’s riding a magic carpet.

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Alisa Rose

One of our two wonderful singers, Alisa Rose, is among Irish music’s most celebrated, up-and- coming performers. She showed why in her second Salon appearance, singing two traditional songs “Yankee Land,” and the Scottish “Ae Fond Kiss” by Robbie Burns, accompanying herself on guitar.

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Annalisa Chamberlin

In her first Salon performance, actress and singer Annalisa Chamberlin sang two lovely Irish folks songs, which are in Eileen Connolly’s new Irish tale “Daughter of the Waves” which premiered at the NY Musical Theater Festival.

In all, the night was full of emotion and special IAW&A connection.

See you next time at The Cell on July 19. Kathleen Walsh D’Arcy will host our first Italian American and Irish American Salon.

 

 

 

June 27, 2016

6.21.16 IAW&A Salon: School’s Out!: Saluting Young Talent with our McCourt Award, plus Teachers, Students, Life Lessons

Filed under: Uncategorized — by kdaly321 @ 4:17 pm

By Karen Daly
Photos by Christopher Booth

The end of June brings the end of school and, for the IAW&A, a time to honor the legacy of Frank McCourt by giving an award for literary excellence to a graduate of NYC’s Frank McCourt High School. In fact, the submissions were so strong this year, we gave awards to three students. Winners of IAW&A’s 2016 McCourt Award for Creative Writing, Natasha Neil, Evony Morel and Milena Blue Spruce, were our special guests at the Salon on June 21. Graduating this week, the young women read sections of their winning entries and wowed the audience with their talent and poise. We were delighted to cheer them on!

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Natasha Neil, Evony Morel and Milena Blue Spruce

In keeping with the educational theme, Brendan Costello, IAW&A Board Member and teacher of Creative Writing at City College organized a Salon dedicated to teachers and students and enlivened with great musical performances. Brendan hosted the night with Salon producer John Kearns.

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Brendan Costello

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Joseph Stanton

Showing how IAW&A’s fame is growing, the Salon attracted presenters from Hawaii and Australia. A poet and scholar from Hawaii, Joseph Stanton read selections from his five poetry collections. His choices dealt with themes of baseball and film, including “The Birds” (yes, Hitchcock) and “Fernando Tatis Hits Two Grand Slams in One Inning.” You can appreciate and see the inspiration for “Michael Langenstein’s Play Ball” at http://www.hawaii.edu/vice-versa/archive/issue_3/issue_3/stanton/stanton.html A professor of Art History and American Studies at the University of Hawaii, Joseph recently gave a workshop at Poets House. For his latest collection, http://brickroadpoetrypress.com/order-books/things-seen-by-joseph-stanton

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Kristen Daniels

IAW&A Salon first timer Kristen Daniels, a student in Brendan Costello’s creative writing workshop, read a heartfelt piece “On Earth as It Is in Heaven” about her struggle with faith and about the journey she went on in search of a sign.

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Thom Molyneaux

Thom Molyneaux is creating a one-man show called Me and the Monologue, which he performed in front of a live audience for the first time at the Salon. Thom demonstrated his acting chops by delivering Shakespeare’s “Oh, for a muse of fire…” He stepped into the role of Tom, in the brilliant opening and closing monologues of The Glass Menagerie and ended with Malachi Stack, a charming slightly disreputable Irish philosopher, from Thornton Wilder’s The Matchmaker.

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Frances O’Neill

Composer and singer Frances O’Neill, visiting from Australia, described her journey to learning about her Scottish/Irish roots, on hearing that her family had “royal” O’Rourke blood. That journey resulted in her composing a musical, The Last Torch, set at the turn of the 16th century when an O’Rourke saved survivors of a shipwreck from the Spanish Armada on the West Coast of Ireland. Frances shared a lovely song called “Eleanor’s Aria” from The Last Torch, which premiered at the Melbourne Fringe Festival.

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Maura Mulligan

Author and dance teacher, Maura Mulligan told a story from her memoir, Call of the Lark, about her first feis – a dancing competition in her native County Mayo. Maura’s mother reminded her to “bow to the ferret,” the dance judge known locally as “Ferret Flatly.” Having lost a medal to her sister Mag, the young Maura kicked her shoe off and was disqualified from the competition when the shoe “went flying through the air, landing with a bang on the Ferret’s table.”

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Marie Reilly

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Anne Kelly, Alice Ryan, Silpa Sadhujan and Kim Tulloch

Maura’s students Anne Kelly, Alice Ryan, Silpa Sadhujan and Kim Tulloch brought the scene to life dancing a vivacious and flawless Four Hand Reel, accompanied by renowned fiddler Marie Reilly. Next stop for Maura and Marie will be the Fleadh Cheoil in Ennis this summer.

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Alice Smyth

IAW&A Salon newcomer Alice Smyth trained her voice and on harp with Eily O’Grady Patterson and her husband, the late tenor, Frank Patterson. This year’s NY Rose of Tralee’s People’s Choice Rose, Alice was inspired to get back to performing her Irish folk song repertoire. She did so tonight with two lovely songs, a Gaelic song, plus “Let Him Go, Let Him Tarry.”

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Mary Lannon

Mary Lannon read a charming excerpt from her first novel with the impossibly long title of An Explanation of the Fundamentals of the Derivation of Dilapidated Brown Station Wagon aka How I Became a Scientist and Discovered the Truth About Getting Stuck in the Wrong Universe by Miranda J. McCleod. At work on her second novel, Mary is an Associate Professor of English at Nassau Community College.

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Kevin Holohan

Kevin Holohan’s passage from his darkly funny novel The Brothers’ Lot http://www.akashicbooks.com/catalog/the-brothers-lot/ot) described the questionable educational methods deployed by The Brothers of Godly Coercion School for Young Boys of Meager Means. Kevin describes “the laughably clumsy vocation recruitment tactics of the doddering Brother Kennedy and the boys’ brilliantly exasperating use of deliberate obtuseness and feigned stupidity.” When not engaged in trying to finish his second novel, Kevin puts occasional little mad bits of scribbling here https://box3.wordpress.com/

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Alisa Rose

Vocalist Alisa Rose studied opera before finding her connection to traditional Celtic and folk music. Her powerful voice filled the Cell with “I Wonder What’s Keeping My True Love Tonight.” A musician and scholar, she notes that it was one of the few songs that seems to have survived purely by oral tradition. More about her at https://alisarosemusic.com Learn about, and support her premiere album at https://www.gofundme.com/alisarosecompelled

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Guenevere Donohue

Fearless Guenevere Donohue delivered a brand new rant/monologue/essay she calls “Fear of Teaching,” about good and bad teachers, humility, and hubris being their respective hallmarks. Guen ended with an illustration of how a stranger can become a teacher by witnessing our effort, and offering encouragement. In Guen’s case, a man overheard her practicing her singing in a park and offered, “I see you. I hear you. Keep going.”

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Maureen Hossbacher

Maureen Hossbacher brought the evening to a hilarious conclusion with her parody of “My Favorite Things,” itemizing some of the less gratifying aspects of her teaching career at Hunter College.

But when nostalgia for the classroom
leaves me feeling sad
I simply remember the things I don’t miss
And then I don’t feel so bad 

Christopher Booth, whose photographs appear here,invites everyone to his reading from James Joyce on Monday, June 27 at 7:30 pm at Swift Hibernian Lounge, 34 East 4th Street, NYC. Readings are in the back room, past the bar. Readings take place on the 4th Monday of each month. For more info, go tohttps://www.facebook.com/cbooth2004/posts/10206959643885017

See you next time at Bar Thalia, Thursday, July 7 at 7 pm.

 

June 18, 2016

6-1-16 IAW&A Salon Turns Five!

Filed under: Uncategorized — by scripts2013 @ 12:06 am

by Mark William Butler
Photos by Tom Mahon

It was a time of celebration for the Irish American Writers & Artists Salon as they celebrated the fifth anniversary of their monthly visit to Bar Thalia, the funky little “basement bistro” in the seemingly infinite Symphony Space creative universe. Host and Salon Producer John Kearns got the party started by sharing news of other recent IAW&A events – including their participation in the “Welcoming Ireland,” the Irish Consulate’s and New York City’s commemoration of the Easter Rising Centenary at Battery Park; their own 1916 bash in April at The Cell Theatre – which included a very special appearance by none other than Barbara Jones, the Consul General of Ireland in NYC, and a special IAW&A Salon in May, which was part of Salon Eire 100 at Glucksman Ireland House.

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Vivian O’Shaughnessy

John then kicked things into gear by introducing Vivian O’Shaughnessy, a writer and artist who shared a poignant, autobiographical monologue.

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Terrence Lavin

Vivian was followed by writer Terrence Lavin, who spun a fascinating family tale of mystery and intrigue: he discovered a 125-year-old family secret in the New York Times archives. An article from 1889 revealed that his great-great grandfather, Patrick, an immigrant from County Mayo and a New York City policeman, killed two people on the job and was subsequently indicted for manslaughter for one of the killings. Poring through old indictment records and witness statements, Lavin reinvestigated the incident, and actually tracked down the great-great grandson of the man Patrick clubbed to death. He wrote about this story, and genealogical journey, publishing it in the New York Times in 2014. Currently, he is shopping a TV drama script about Tammany Hall’s Pequod Club which his great-great grandfather was a member. John Sheehan’s infamous Pequod Club, which was the political club representing the Chelsea area,  was the cross section of corruption, politics, media and even the invention of vaudeville.

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John Kearns

John Kearns himself then read a new excerpt from his novel in progress, Worlds, in which Paul Logan tells the story of John McIlhenny, a friend who had tread the boards of his life but was never a major character.  John McIlhenny gets into an argument with his boss and quits the greasy spoon where he had been working only to run into a crew of Irish sailors who need a cook for their tall ship.  John signs on with them, crosses the Atlantic a couple of times, and becomes a DJ for a pirate radio station in Ireland.

John was followed by the poet Jenifer Margaret Kelly, who read several of her lovely original poems.

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Jenifer Margaret Kelly

 

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Eilin O’Dea

Cork-born Eilin O’Dea then regaled the audience with an off-book excerpt from Molly Bloom’s soliloquy from the final section of Joyce’s Ulysses.  Did she wow the salon crowd?  Yes she did yes!

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Board member Sarah Fearon enjoying the IAW&A Salon

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Tom Mahon

After a short break that featured warm conversation and cold refreshments, the evening continued with Tom Mahon, the writer/actor/video artist who read a story called “Veal” from his collection of vignettes Tomorrow Never Came.  Taken from the point of view of a bull calf, it recounts his life after his mother is taken away, and then he is – to the slaughter house.

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Gordon Gilbert

Gordon Gilbert then treated the audience to some of his unique and powerful poetry, before giving way to John Paul Skocik, who returned to the Salon to perform three new songs, the first a little musical departure called “Trolling,” about internet trolls and their motivations. The second song was brand new song semi-inspired by Memorial Day called “World War II,” about leaving a loved one to go off to war.  He finished with “The American Dream,” a tune about what we assume we are entitled to and learning what really matters.

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John Paul Skocik

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John Munnelly

John Munnelly then took the stage and presented a dynamic combination of his original art and music, with a “remembrance” theme which included commemorating the 1916 Easter Uprising and honoring Memorial Day weekend. He shared a set of portraits of the seven signatories of the Irish Proclamation plus a frontispiece, and also performed several songs; “Flagpole Blues”, “Nowhere Without You”, and a new, as yet untitled tune. More information about John’s artwork (including discounts and special editions) can be found at http://laughjohnlaugh.com. You can check out some of his music at https://youtu.be/0dL9KaREpcU.

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Malachy McCourt

Finally, our incomparable leader, our roaring lion – Malachy McCourt – brought this Memorial Day show to a memorable close when he poignantly and humorously pointed out how the mythology of war movies and songs differs from the realities of actual combat and its very tragic aftermath, finishing with a stirring performance of the Irish anti-war song, “Johnny I Hardly Knew Ye.”

We all then slipped into the New York night, remembering the first five years of the Salon and ready for many more.

See you at our next IAW&A Salon at The Cell Theatre on June 21st at 7 pm!

May 27, 2016

IAW&A Salon at Glucksman Ireland House with Salon Eire 100 – May 24, 2016

Filed under: Uncategorized — by scripts2013 @ 6:14 pm

Photos by Cat Dwyer

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Salon Eire 100 Producer Alison McKenna

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Host and curator of the evening, John Kearns

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Memoirist Colin Broderick

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Artist Geraldine O’Sullivan

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Novelist Tom Phelan

Poet and accordionist, Marni Rice

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Irish Tenor Karl Scully

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Comedian Sarah Fearon

David Beck at Oscar Wilde, Jack Di Monte as William Shakespeare, and Gary Greg as Ernest Hemingway in John Kearns’s “The Importance of Loving Shakespeare”

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Novelist Kathleen Donohoe with her forthcoming novel, Ashes of Fiery Weather

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Renowned alto sax player and memoirist, Jon Gordon

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Singer Mary Deady

 

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John Kearns, Marni Rice, Jon Gordon, Gary Gregg, Jack Di Monte, Karl Scully, Tom Phelan, David Beck, Sarah Fearon, Kathleen Donohoe, Mary Deady, Alison McKenna

 

IAW&A Salon 5.17.16: Walsh sisters co-host “a marvelous night” of plays, performances, music, even Christmas in May.

Filed under: Uncategorized — by kdaly321 @ 5:12 pm

By Karen Daly
Photos by Cat Dwyer hosts

Cohosts Kathleen Walsh D’Arcy and Maureen Walsh Hossbacher

Kathleen Walsh D’Arcy and Maureen Walsh Hossbacher used their considerable skills in organizing, writing, performing, and connecting to co-host our mid-May IAW&A Salon at the Cell Theatre. The result, in the words of poet Connie Roberts “…a marvelous night…with a fabulous line-up.” That line-up had new musical talent, video, poetry, theater, fiction, and fun.

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Derek Murphy

The program opened with a scene from Dublin-born playwright Derek Murphy’s, Dyin’ For It, a darkly funny work about “extremely inappropriate grieving by the dying Wally Kelly’s wife and daughter.” Superbly acted by Kimberly Kelly Adams, Anna Colson Nugent and Karin de la Penha, the scene was directed by Joe Handel.

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Anna Colson Nugent, Karin de la Penha, and Kimberly Kelly Adams

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Connie Roberts

Award-winning poet from County Offaly and Hofstra University creative writing professor, Connie Roberts read from Little Witness, a collection of poetry inspired by her experiences growing up in an industrial school/orphanage in the Irish midlands. The poems included  “Oasis,” an homage to her 85-year-old foster mother and “Little Witness,” a punch-packing six-line poem about child abuse. Connie’s “The ‘Boys’ in the Bunkhouse” was inspired by fellow IAW&A member Dan Barry’s 2014 investigative piece in The New York Times and now a book of the same title “about a few dozen men from Texas with intellectual disabilities who worked in servitude for decades in a turkey processing plant in Iowa.” “Inheritance” is about the 1943 Poor Clare orphanage fire in Cavan town, in which 35 girls and one old woman perished. The poem ends with the litany of their names, including “the 13 Marys.” Buried in eight coffins with no gravestone or memorial, the haunting verse finally gives them the commemoration they deserved. This summer Connie will receive the Exceptional Offaly Person of the Year 2016 Award at the Tullamore Show. Visit https://connierobertspoet.com.

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David O’Leary

David O’Leary, a young operatic tenor from County Wexford, has sung for President Bill Clinton and for President of Ireland Mary McAleese and now he can add the IAW&A Salon to his resume. David trained with the Irish soprano Deirdre Masterson and has won prizes at major classical competitions in Dublin, Wicklow, and Sligo. He has performed on many concert stages and venues in New York and Ireland. He charmed us at his first IAW&A Salon with the Irish folk song “She Moved Through the Fair.”

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Gordon Gilbert

Playwright, poet, and songwriter Gordon Gilbert has been presenting portions of his play Monologues from the Old Folks Home at earlier IAW&A Salons. Tonight he read segments from three monologues and announced a full performance on Friday, June 24 at the Cornelia Street Café. Gordon regularly hosts spoken word events there. So plan to come out and support him: http://www.corneliastreetcafe.com/restaurant.html

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Kathleen O’Sullivan

Kathleen O’Sullivan is creating a charming multi-media memoir Isham Street about growing up in the Inwood section of upper Manhattan. Tonight she showed a video introduction to that work, called,“From Ireland to Isham Street” that introduces her family in their ancestral home in Rossdohan Island and describes her parents’ coming to America, settling in New York. They found, in the parks and rivers near Inwood, a place that reminded them a bit of Ireland.

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Leah Rankin

IAW&A Salon newcomer Leah Rankin studied classical cello performance at the Eastman School of Music and brilliantly combines classical music with trad tunes. One set used the opening phrase of a cello concerto and went into a jig called, “The Silver Hand.” She also played the Scottish March, “First Light,” a version of the reel “Killarney Boys of Pleasure” and “Catharsis” by Natalie MacMaster. Active on the New York trad scene, Leah runs an open session with Don Meade and Tom Dunne every Friday from 9 pm-12 am at the Long Hall pub 58 East 34th Street, near Park Avenue. Everyone is welcome.

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IAW&A Salon Producer John Kearns made some announcements about upcoming events and gave out chocolate from Barcelona.

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Mark William Butler

A playwright, producer, songwriter, and IAW&A Board member, Mark William Butler was thrilled to present Kaitlyn Baldwin and John Skocik, two great performers who sang Mark’s song, “I’ll Wear Myself,” from his musical comedy in development, Ugly Christmas Sweater, The Musical. The show had very successful concert readings on May 21st and May 23rd at the legendary cabaret theater Don’t Tell Mama on W. 46th Street:  http://www.donttellmamanyc.com/shows. Adds Mark “It’s time to get ugly for Christmas!”

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John Skocik and Kaitlyn Baldwin

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Rosina Fernhoff

Rosina Fernhoff is an accomplished actor known for her solo performances at theatrical venues across the country, especially of works written by her late husband Av Inlender. She studied acting with Lee Strasberg, and is the winner of an Obie Award for Best Actress for two off-Broadway roles. Tonight’s monologue from Edward Albee’s play All Over concerns a woman’s relationship with the dying husband of another woman and reveals her other relationships, especially a teenage love affair. Rosina invites you to see her in Shadows by Av Inlender on Thursday, May 26, 2016 at 7PM at St Malachy’s Church, 239 West 49th Street, between Broadway and 8th Avenue. Performance is free.

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Marni Rice

Marni Rice, singer, musician, writer and producer performed two songs from the Sarah Makem songbook, “My Bonnie Boy” and “The Lowlands of Holland” plus an excerpt from her collection of poems  It’s Not The End of the World. Don’t miss the chance to see Marni perform her original text and music in Cabaret of the Absurd at Wow Café Theatre, 59 East 4th Street on June 10 and 11 at 8 pm. For more info please visit: http://www.dejouxmusique.com.

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Brendan Costello

IAW&A Board member and teacher of Creative Writing at the City College, Brendan Costello’s moving essay “Though Soft You Tread Above Me” memorializing his late father appeared recently in The Huffington Post. Tonight he read an excerpt from his novel-in-progress, Winning, set in the riverboat casino boom of the 1990s. In this segment, we meet a young man meditating on his impending professional success, ascending in his own estimation from “schlump to Trump.”  (And if that particular phrase becomes popular, we can credit Brendan.)

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John Paul Skocik

Another very versatile artist: musician, singer/songwriter, actor, playwright John Paul Skocik closed the night with two original, witty songs, “American Dream” and “Being Alone in New York City.

For complete updates on all members’ events and announcements, be sure to sign up for the IAW&A Weekly.To make sure you get all IAW&A news, and to tell us your news and announcements, to sign up to receive it, send an email to iawaweekly@gmail.com. 

IMPORTANT NOTE: Our next regularly-scheduled Salon will be on WEDNESDAY, June 1, starting at 7:00 pm at Bar Thalia.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Kathleen Walsh D’Arcy and Maureen Walsh Hossbacher used their considerable skills in organizing, writing, performing and connecting to co-host our mid-May IAW&A Salon at the Cell Theatre. The result, in the words of poet Connie Roberts “…a marvelous night…with a fabulous line-up.” That line-up had new musical talent, video, poetry, theater, fiction and fun.

 

The program opened with a scene from Dublin-born playwright Derek Murphy’s “Dyin’ For It,” a darkly funny work about “extremely inappropriate grieving by the dying Wally Kelly’s wife and daughter.” Superbly acted by Kimberly Kelly Adams, Anna Colson Nugent and Karin de la Penha, the scene was directed by Joe Handel.

 

Award winning poet from County Offaly and Hofstra University creative writing professor, Connie Roberts read from Little Witness, a collection of poetry inspired by her experiences growing up in an industrial school/orphanage in the Irish midlands. The poems included  “Oasis,” homage to her 85-year-old foster mother and “Little Witness,” a punch-packing six-line poem about child abuse. Connie’s “The ‘Boys’ in the Bunkhouse” was inspired by fellow IAW&A member Dan Barry’s 2014 investigative piece in The New York Times and now a book of the same title “about a few dozen men from Texas with intellectual disabilities who worked in servitude for decades in a turkey processing plant in Iowa.” “Inheritance” is about the 1943 Poor Clare orphanage fire in Cavan town, in which 35 girls and one old woman perished. The poem ends with the litany of their names, including “the 13 Marys.” Buried in eight coffins with no gravestone or memorial, the haunting verse finally gives them the commemoration they deserved. This summer Connie will receive the Exceptional Offaly Person of the Year 2016 Award at the Tullamore Show. https://connierobertspoet.com

 

David O’Leary, a young operatic tenor from County Wexford,

has sung for President Bill Clinton and for President of Ireland Mary McAleese and now he can add IAW&A to his resume. David trained with the Irish soprano Deirdre Masterson and has won prizes at major classical competitions in Dublin, Wicklow and Sligo. He has performed on many concert stages and venues in New York and Ireland. He charmed us at his first Salon with the Irish folk song “She Moved Through the Fair.”

 

Playwright, poet, and songwriter Gordon Gilbert has been presenting portions of his play Monologues from the Old Folks Home at earlier Salons. Tonight he read segments from three monologues and announced a full performance on Friday, June 24 at the Cornelia Street Café. Gordon regularly hosts spoken word events there, so plan to come out and support him.

http://www.corneliastreetcafe.com/restaurant.html

 

 

Kathleen O’Sullivan is creating a charming multi-media memoir Isham Street about growing up in the Inwood section of upper Manhattan. Tonight she showed a video introduction to that work, called “From Ireland to Isham Street” that introduces her family in their ancestral home in Rossdohan Island and describes her parents’ coming to America, settling in New York. They found, in the parks and rivers near Inwood, a place that reminded them a bit of Ireland.

 

Salon newcomer Leah Rankin studied classical cello performance at the Eastman School of Music and brilliantly combines classical music with trad tunes. One set used the opening phrase of a cello concerto and went into a jig called the “Silver Hand.” She also played the Scottish March “First Light,” a version of the reel “Killarney Boys of Pleasure” and “Catharsis” by Natalie MacMaster. Active on the NY trad scene, Leah runs an open session with Don Meade and Tom Dunne every Friday from 9 pm-12 am at the Long Hall pub 58 East 34th Street, near Park Avenue. Everyone is welcome.

 

A playwright, producer and songwriter and IAW&A Board member, Mark William Butler was thrilled to present Kaitlyn Baldwin and John Skocik, two great performers who sang Mark’s song, “I’ll Wear Myself,” from his musical comedy in development, Ugly Christmas Sweater, The Musical. You can see a concert reading on Monday, May 23rd at 5:30pm at the legendary cabaret theater Don’t Tell Mama on W. 46th Street.

http://www.donttellmamanyc.com/shows Adds Mark “It’s time to get ugly for Christmas!”

 

Rosina Fernhoff is an accomplished actor known for her solo performances at theatrical venues across the country, especially of works written by her late husband Av Inlender. She studied acting with Lee Strasberg, and is the winner of an Obie Award for Best Actress for two off-Broadway roles. Tonight’s monologue from Edward Albee’s play All Over concerns a woman’s relationship with the dying husband of another woman and reveals her other relationships, especially a teenage love affair. Rosina invites you to see her in Shadows by Av Inlender on Thursday, May 26, 2016 at 7PM at St Malachy’s Church, 239 West 49th Street, between Broadway and 8th Avenue. Performance is free.

 

Marni Rice, singer, musician, writer and producer performed two songs from the Sarah Makem songbook, “My Bonnie Boy” and “The Lowlands of Holland” plus an excerpt from her collection of poems

It’s Not The End of the World. Don’t miss the chance to see Marni perform her original text and music in Cabaret of the Absurd at Wow Café Theatre, 59 East 4th Street on June 10 and 11 at 8 pm. For more info please visit: http://www.dejouxmusique.com

 

 

IAW&A Board member and teacher of Creative Writing at the City College, Brendan Costello’s moving essay “Though Soft You Tread Above Me” memorializing his late father appeared recently in the Huffington Post. Tonight he read an excerpt from his novel-in-progress, Winning, set in the riverboat casino boom of the 1990s. In this segment, we meet a young man meditating on his impending professional success, ascending in his own estimation from “schlump to Trump.”  (And if that particular phrase becomes popular, we can credit Brendan.)

 

Another very versatile artist: musician, singer/songwriter, actor, playwright John Paul Skocik closed the night with two original, witty songs, “American Dream” and “Being Alone in New York City.”

 

 

 

 

For complete updates on all members’ events and announcements, be sure to sign up for the IAW&A Weekly.

To make sure you get all IAW&A news, and to tell us your news and announcements, to sign up to receive it, send an email to iawaweekly@gmail.com.

 

 

IMPORTANT NOTE: Our next regularly-scheduled Salon will be on Wednesday, June 1, starting at 7:00 pm at Bar Thalia.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

May 10, 2016

5.5.16 IAW&A Salon: Festive “Cinco de County Mayo” night with stories “meaningful and profound”

Filed under: Uncategorized — by kdaly321 @ 6:15 pm

By Karen Daly

Photos by Cat Dwyer

catseyepix-5115.jpg Sarah Fearon welcomes the crowd

Sarah Fearon warmed up the crowd with comedy on that special night she dubbed “Cinco de County Mayo.” Sarah produced and hosted an IAW&A Salon with a heartfelt vibe and amazing connections. Jon Gordon called the night “meaningful and profound.” We had several first time presenters, and unique offerings that included storytelling, poetry, memoir and photography.

Singer/songwriter Andrea Wright opened each half of the program with original songs from her two EP’s Riverside and Buoy Lights, both with autobiographical lyrics. An accomplished musician with a versatile voice, Andrea has performed worldwide. She studied piano at Interlochen Arts Academy and learned guitar from jazz and pop musicians in the city. http://www.andreawrightmusic.com

catseyepix-5123.jpgAndrea Wright

Writer, actress, comedienne and activist and new IAW&A member Marian Fontana read a wonderfully moving story about bringing her husband’s ashes to Ireland. Marion’s memoir is the widely praised A Widow’s Walk and her writing has appeared in The New Yorker, Vanity Fair, Salon.com and The Guardian. She is currently filming a web series and creating a one-woman show. Marianfontana.com

catseyepix-5132.jpgMarian Fontana

We welcomed Ira Goldstein, poet and family therapist, who read his work. Ira is also Marian’s dad.

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Retired Police Captain Rita Mullaney served on the NYPD for 24 years. The Bay Ridge native crossed the bridge to walk a beat in Chelsea where she was drawn into the daily human drama. As she watched the neighborhood changing, she started to document the stories of the older residents through photography and video. Tonight Rita showed several photographs and told the stories behind them, revealing her compassion along with her skill.

catseyepix-5143.jpgRita Mullaney

Jazz saxophonist Jon Gordon entertained with stories from his work-in-progress, Jazz Lives. Jon was just starting out but found himself travelling and partying with legends Cab Calloway and Doc Cheatham. In a sweet, revealing anecdote, Jon told how he helped an 83 year-old woman fulfill her dream of playing “Amazing Grace.”
catseyepix-5165.jpgJon Gordon

Jim Rodgers read an excerpt from his novel, Long Night’s End.  Johnny Gunn, grieving over the tragic loss of his son, and recently his friend Jimmy, is back doing weekend gigs with his over-the-hill rock band.  Tonight they play in Sunnyside, Queens before a raucous crowd, where Johnny spots the voluptuous Molly Farrell, a woman destined to own his soul. Tonight he refuses to avoid her gaze and later, when the gig ends, he finds himself with Molly in an emotional hurricane, one which draws both of them toward her apartment and the inevitable sin he’s been avoiding.

catseyepix-5199.jpgJim Rodgers

Sean Hickey shared three original poems, including “Requiem for a Crow,” an account of what he describes as “the genuinely moving mourning I witnessed one crow doing over the fallen body of another.”

catseyepix-5203.jpgSean Hickey

Sean announced the third annual Bergen County Irish Festival on Saturday, June 25th, at Overpeck County Park in Ridgefield Park, New Jersey from 9:00 am – 7:00 pm. The festival’s Literature Tent will be open from 1:00 pm – 4:00 pm.

Sign up: IAW&A members are invited to sign up to read or perform at the Bergen County Irish Festival. You may have a 10-minute slot to present your work, or a 15-minute slot to present your work and that of a favorite Irish or Irish-American author or artist. Readings and performances should relate to Ireland or the Irish/Irish-American experience, and they should be suitable for a general audience. Presenters will be able to display and sell books, CDs, and other works in the tent. If you are interested in presenting at the festival, please contact Sean Hickey at sean.hickey2@gmail.com.

Inspired by the commemorative events of the 1916 Easter Rising, Guen Donohue wondered what events would mark each day an Irish leader of the Rising was executed. Finding none, Guen decided to hold her own Impromptu Memorials at The Irish Hunger Memorial. Those early mornings found Guen singing to the stones of Ireland in Irish, and speaking about the men who died. For us, she sang Patrick Pearse’s words, Mise Éire, set to music by Patrick Cassidy.

catseyepix-5209.jpgGuen Donohue

Tom Mahon’s vignettes often have a dramatic, twisting end.  “The Bridge Tender’s Wife” tells of a woman whose husband sees her on a sailboat with four men.  That night he tricks her into confirming that she had sex with three men. It was the second time he had married her, and the last.

catseyepix-5211.jpgTom Mahon

Pat Lavin read a moving personal essay about her daughter and her daughter’s fiancé.

catseyepix-5218.jpgPat Lavin

Malachy McCourt traditionally closes the Salon at Bar Thalia, and he remarked on what a special night we had. Of course, he had a few remarks about politics and history and ended with a Famine Song.

Oh, the praties they grow small over here, over here

Oh, the praties they grow small, and we dig them in the fall

And we eat them, skin and all, over here, over here, over here.

catseyepix-5225.jpgMalachy McCourt,  “Sing the song, children!”

See you next time, Tuesday, May 17, The Cell.

 

 

 

 

April 27, 2016

4.24.16 Cat Dwyer’s Photos of IAW&A Mini-Salon at “Welcoming Ireland” 1916 Commemoration

Filed under: Uncategorized — by scripts2013 @ 5:42 pm

Enjoy Cat Dwyer’s beautiful photos of Pier A Harbor House and the IAW&A Mini-Salon at New York City’s “Welcoming Ireland” commemoration of the Easter Rising centenary, on Sunday, April 24th! 

The IAW&A presented contemporary poetry, fiction, theatre, and song.  

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Enjoying the music sessions in the Oyster Bar: Guenevere Donohoe, John Kearns, Eamon Loingsigh, and stage manager Mark “Rock” Speeney

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Audience anticipating the mini IAW&A Salon

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John Kearns introducing IAW&A artists

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Marcia Loughran shared her poetry

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John Munnelly played 3 original songs. With bass player, Ray Parker.  John’s artwork in the background. 

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Guenevere Donohue performed an excerpt from her play, Killer Is My Name

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Malachy McCourt read an excerpt from John Kearns’s novel in progress, Worlds, about crossing Killary Harbor and the Atlantic

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Malachy McCourt will receive the 2016 Eugene O’Neill Award on October 17th! 

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“Sing the song, children.  ‘And we’ll all go together/To pluck wild mountain thyme ..'”

April 26, 2016

4.19.16 IAW&A Salon: Observing the 1916 Easter Rising in IAW&A Style

Filed under: Uncategorized — by scripts2013 @ 9:50 pm

By Karen Daly
Photos by Cat Dwyer  

On April 19, 2016, we marked the 100th anniversary of the 1916 Easter Rising IAW&A style — with a rousing, often affecting night of poetry, song, drama and story. John Kearns curated and hosted the Salon dedicated to the centenary at The Cell Theatre.

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Consul General of Ireland, Barbara Jones

We were especially honored to welcome Barbara Jones, Consul General of Ireland, to her first IAW&A Salon. Ms. Jones graciously thanked the writers, curators, dancers, and all the artists who help create context for this historical moment. And we thank Consul Jones, and her colleagues at the Consulate of Ireland in New York for their kind support of IAW&A.

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Maria Deasy and Maura Mulligan

Maria Deasy and Maura Mulligan opened the Salon with a powerful reading of the 1916 Proclamation of the Irish Republic in Irish and English. Mingling languages and strong voices, they represented Irish and Irish-American participants in the Rising and honored the native language of the newly formed Republic. Noting that the Proclamation is the only declaration of independence to address both men and women in equal measure, Maria and Maura called to mind the many unsung female heroes of the Easter Rising.

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Mary Pat Kelly

Mary Pat Kelly, just back from Dublin, reported that women’s participation in the Rising is finally being celebrated. Mary Pat’s latest novel Of Irish Blood features a young Nora Kelly, in Paris in the early 1900’s, meeting historical characters such as Maud Gonne, William Butler Yeats and Countess Markievicz. The revolutionary women challenge Nora to honor her history and join the struggle to free Ireland. Of Irish Blood was inspired by the life of Mary Pat’s great-aunt.

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Maura Mulligan

Presenters honored the poets and patriots of 1916, starting with Maura Mulligan’s performance of Padraig Pearse’s “Bean Sléibhe ag Caoineamn a Mic” (“A Woman of the Mountain Keens Her Son”). Blessing the green sods covering her son’s body, Maura exuded the mountain woman’s strength and acceptance of a death that “cannot be denied.”

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Eamon Loingsigh

Novelist Eamon Loingsigh read Pearse’s poem “The Rebel.” For Eamon’s eloquent analysis of Pearse, go to artofneed.wordpress.com/2015/09/09/patrick-pearse-poet.

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Tim Dwyer

Tim Dwyer read his own work reflecting on the losses of Easter Week, including “Cherishing All the Children.” Tim’s poem “First Martyr, 1916 –Francis Sheehy Skeffington” was published in the Easter Rising issue of the Irish literary journal, Boyne Berries, which sold out in one week. Tim also sang a verse from the “Lament Of James Connolly” by Patrick Galvin. brennan

John A. Brennan

John A. Brennan read two tributes to the men and women of the Rising with the classic “Easter 1916” by William Butler Yeats and John’s own homage to Pearse, entitled “The Poet.” gordon

Gordon A. Gilbert

Imagining a new traditional Irish song, Gordon A. Gilbert recited the lyrics to his “No Hereafter – Easter 1916” which embodies the spirit of some Irish rebels.

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Gina Costigan

Dublin-born actor Gina Costigan performed a poignant soliloquy from Honor Molloy’s and in my heart, a story of love and loss during the 1916 Uprising. Gina was incandescent in her IAWA debut. A version of and in my heart will be performed in early May at the Dublin International Gay Theater Festival.

gina_honor Gina Costigan and playwright, Honor Molloy

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The convivial IAW&A Salon community enjoying the break

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Books for sale and refreshment available with donations

We may have brave men, but we’ll never have better
Glory O, Glory O, to the bold Fenian men.”

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Maureen Hossbacher

Maureen Hossbacher performed a stirring rendition of “Down By the Glenside.” The song, written at the time of the Easter Rising by Peadar Kearney, who also wrote “The Soldier’s Song”, recalls the failed uprising of the Irish Republican Brotherhood or “bold Fenian men” which fueled the later revolution.

 

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Tom Phelan

County Laois-born novelist Tom Phelan presented an alternative perspective of the Rising, that of an Irish soldier after the Battle of the Somme in July 1916. Tom notes that a quarter million Irish men served in the British Army during the First World War, and over 32,000 died.  Tom shared excerpts from The Canal Bridge, his acclaimed novel of Ireland and the Great War,

“Twenty-seven thousand men down in four hours, and we saying that the people in Dublin thought they had something to cry about with the twelve lads shot in Kilmainham. Twenty-seven thousand lying in the muck in front of us, many of them from Ireland, but all that Ireland could think of was twelve bastards who stabbed in the back every Irishman fighting against the Germans.” More about Tom and his works at www.tomphelan.net.

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IAW&A president Larry Kirwan also touched on the World War I, and described growing up in a Wexford family of mixed alliances. A great-uncle serving in the British Army was killed in Belgium in 1915, while Larry’s grandfather was a supporter of the Irish Republican Brotherhood.  Much of his work has focused on historical events. Larry wrote the play Blood, about events leading up to the 1916 Uprising. He sang “Touched by Fire” a song he wrote and recorded with Black 47 about Countess Markievicz. And finished the night, with the Black 47 anthem “James Connolly.”

“ …a mighty man with a mad rage in his eye
They shot him in Kilmainham jail but they’ll never stop his cry
My name is James Connolly, I didn’t come here to die
But to fight for the rights of the working man…”

See you next time at Bar Thalia, Thursday, May 5! 

 

 

 

 

April 11, 2016

4-7-16 IAW&A Salon: Tremendous Variety, Quality, and Spirit

Filed under: Uncategorized — by scripts2013 @ 10:32 pm

by John Kearns
Photos by Tom Mahon

The first IAW&A Salon at Bar Thalia on April 7 gave attendees a tremendous night of quality and variety, not to mention free DVDs.  Thanks to the work of the Salon Committee, this salon was hosted by comedienne and IAW&A Secretary Sarah Fearon who kept a great humorous flow through the evening. 

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Symphony Space Artistic Director, Andrew Byrne

Symphony Space Artistic Director, Andrew Byrne welcomed the salon artists and audience as part of the Symphony Space family and congratulated us on approaching our fifth anniversary of salons at Bar Thalia (in June). 

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Sarah Fearon

Sarah Fearon opened the salon with material spoofing St Patrick’s Day, Easter, death, and taxes.

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Jenny Griffin
First-time presenter Jenny Griffin found the IAW&A salon crowd very welcoming and was delighted to meet Mr. Malachy McCourt in person.  The first poem Jenny read was “The Grass is Greener.”  She wrote it after spending Christmas back home in Ireland in 2015. It is nostalgic and a typical emigrant’s lament to home and the people there.  Her second poem was, “Up the West,” depicting childhood visits to her maternal grandparents’ home in the small village of Williamstown, Co.Galway.

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Marcia Loughran

Marcia Loughran shared a poem about spring funerals and the habits of the dying with the warm and welcoming IAW&A Salon audience.  

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Tom Mahon and Sheila Walsh

Playwright Sheila Walsh and Tom Mahon presented Sheila’s play-in-progress, When Love Comes Tumbling Down, in which  a daughter’s wedding announcement exposes the regrets and longings in her parents’ long marriage. Playwright Walsh was delighted to be asked by several  members, “What happens next?”

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Mark Tompkins

Mark Tompkins read from his new Irish themed novel, The Last Days of Magic. Published by Viking Penguin, it is an epic tale of magic and mysticism, Celts and traitorous faeries, mad kings and exorcists, and a broken Goddess struggling to reign over magic’s last outpost – medieval Ireland.

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Vivian O’Shaughnessy, poet, artist,  and translator, presented her latest dramatic monologue.  Her designed, authored , handmade books (which include translations and hand Braille) are in many collections.
    

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SundanceTV provided a ten-minute excerpt from its mini-series, Rebellion, debuting on April 24th, the anniversary of the 1916 Easter Rising.  Audience members received free copies of the miniseries on DVD. 

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Bernard Smith

Dubliner Bernard Smith sang an original called, “Travel On,” about letting go a world he has little or no control over, taking a deep breath as it were.  He followed this with a sean nos song  called “The May Morning Dew.” It is an old Irish air set to a poem about an emigrant on in years remembering the old homestead and the things he saw and done as a child there.  The audience thoroughly enjoyed Bernard’s performance and we hope to see him at the salon more often.  

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IAW&A Board Members Kathleen Wash Darcy and Mark Butler, enjoying the break

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John McDonagh with his authentic New Zealand flag

John McDonagh told the hilarious story of his efforts to get a flag from New Zealand for a ceremony at his Uncle’s graveside in County Fermanagh.  John’s Uncle, Peter McDonagh, emigrated to New Zealand and joined the army during World War II, was a prisoner of war in North Africa, and wounded in Italy. The tale of the New Zealand government’s suggestion that John buy a flag from Amazon.com to commemorate their war hero was storytelling at its best.

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John Kearns

John Kearns read a brand-new excerpt from his novel in progress, Worlds, in which older priest Sarsfield Logan, S.J., is up early one morning in the fall of 1945, writing in his journal. Sarsfield writes about his father’s prayer and work life – his ora et labora. He recalls a time when his father had promised to take him to a Phillies game only to come home too late … with a cigarette card bearing a photo of Sarsfield’s favorite player, Jack Clements.

Thanks to Sarah’s hosting John was able to focus on his own presentation more than usual and was gratified by the audience’s reaction to the story.  

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John Brennan

John Brennan read three poems.  The first, “To my Brother,” was written in Arbor Hill Barracks, Dublin May 1 1916 by Patrick H. Pearse for his brother Willie.  At the time of writing, Pearse was not aware that Willie was also to be executed.  He followed that with two of his own poems,  “The Meadow Ballet,” prompted by vivid memories of his father using a scythe and “The Bards of Croom,” telling the story of the  18th century Fil na Maigue Gaelic poets of Croom and Kilmallock, Co. Limerick

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Myss UneeK

Brooklyn poet Myss UneeK said she had a great time and learned a lot about the Irish culture. Myss UneeK presented an introduction poem she likes to use to give the audience a chance to get to know her, a sort of a breaking-the-ice poem. She followed tis with  a poem called, “Kids,” which Myss UneeK wrote for all the children in foster care. It’s a poem about the struggles she went through growing up in the NYC foster care system. In the poem, Myss UneeK describes how she survived and how she felt not having either of her parents around and losing her mother to the streets.

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Malachy McCourt

Malachy McCourt concluded the proceedings with his suggestion of an all-storytelling/no reading salon and a touching rendition of “Down by the Glenside (The Bold Fenian Men).”

See you soon at one of these upcoming IAW&A Salon events: 

April 13th: Come and network at the Irish Business Organization meeting at 6:30.  Three salon presentations (John Brennan, John Kearns, Ryan Cahill) will conclude the event at 8:30. Scandinavia House 58 Park Avenue, NY, NY. 

April 19th:  IAW&A Salon at the Cell focusing on the centenary of the 1916 Easter Rising.  Presenters include Larry Kirwan, Mary Pat Kelly, Maureen Hossbacher, Honor Molloy, Maria Deasy, and Maura Mulligan.  Irish Consul General Barbara Jones is scheduled to attend. 

April 24th:  The Irish  Consulate’s “Welcoming Ireland” celebration of the 1916 centenary. At 5:30 on the third floor of Pier A Harbor House, we will have a mini-salon featuring Marcia Loughran, John Munnelly, Guenevere Donohue, and Malachy McCourt.    

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